Essays how to be alone

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  1. Calouste Gulbenkian Foundation — UK Branch
  2. 11 Essays To Read Online To Kick Off Your 12222 With Confidence And Introspection
  3. 11 Essays To Read Online To Kick Off Your With Confidence And Introspection
  4. Essay on Loneliness in John Steinbeck's Of Mice and Men

It's unfortunate. The most interesting thing about Franzen, perhaps the only interesting thing about Franzen as a person that is, not of his writing is Franzen-as-failed-Oprah! This was clearly the defining moment for Franzen as a public figure in the guise of an author , and it was also a significant moment in American letters.

Franzen's public image remains that -- failed-Oprah! Perhaps Franzen has not yet come to terms with it, as well as with the success he achieved with The Corrections financial, critical, and popular. Still, it's a shame that he didn't write anything about the episode beyond this one page, nor, more broadly, anything about what it means to have found success in the way he has as an author.

Calouste Gulbenkian Foundation — UK Branch

Really, it's the only thing we would be truly interested in hearing about from him. And it's also relevant -- relevant to many of Franzen's own concerns. He famously complained in his Harper's essay about the reaction to his first novel: I'd intended to provoke; what I got instead was sixty reviews in a vacuum. He does not note that most writers would kill for sixty reviews of their book and a good number would be overjoyed to get one-tenth that number.

As to provoking In this sense every great novel is published in a vacuum; it teaches the empty space around it. But Franzen did provoke -- oh, boy, did he ever. Not with his book, admittedly, at least not directly, but he did provoke And he still hasn't addressed it and it remains a puzzling episode. Why bother? Most of the introduction to the book is devoted to it, and he mentions his own surprise at what he found when he turned back to it, having forgotten "that I used to be a very angry and theory-minded person".

We're not sure the new, happier version is preferable Why the national label? What is about the American novel that separates it from the novel per se -- and are the questions related to it unique or do they apply to all novels? Franzen never considers these issues: it's just the American novel for him. He does worry about the tribes in America -- fiction for specific demographics, for certain ethnicities or localities "Southern literature", "literature of the sunny fertile, peaceful West Coast".

But he puts an odd spin on literature, and it seems one of the biggest flaws in the essay. True literature transcends all these boundaries -- easily, too look at all the still-read classics, describing worlds that bear on most levels hardly any resemblance at all to our own. Franzen considers reading, and what makes people readers referring even to empirical studies at some length.

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And he wonders, sensibly, what place the novel might have in contemporary American society. But honestly: it remains a muddled set of arguments. It might have helped him find his way getting this out of his system , but it is not particularly helpful to the reader.

11 Essays To Read Online To Kick Off Your 12222 With Confidence And Introspection

Still, its worth reading -- there are enough interesting bits to it. Amusing also his exhilaration: Simply to be recognized for what I was, simply not to be misunderstood: these had revealed themselves, suddenly, as reasons to write. Amusing, of course, because in the Oprah-fiasco Franzen managed nothing so well but to confuse his audiences with his many statements and pseudo-explanations.

It's unclear whether he was ever truly misunderstood, but he certainly made a good impression of being misunderstood. It is our contention that all his mis-statements and the confusion was sown deliberately, creating the image of the misunderstood artist rather than the actual misunderstood artist. She explains how to survive the holidays, how to screen a mate, and how to accept love as someone who grew up without it.

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The essays are whip-smart, pithy, and full of an honest, conversational charm that sets Moore apart. Barrel Fever.

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How to Write an Autobiographical Novel: Essays. The Argonauts. Get the Book Marks Bulletin Email address:. Graphic Novels.

Essay on Loneliness in John Steinbeck's Of Mice and Men

Story Collections. I recommend the book overall, though. PRIVACY, privacy, the new American obsession: espoused as the most fundamental of rights, marketed as the most desirable of commodities, and pronounced dead twice a week. From almost any historical perspective, however, the claim seems bizarre. In , an American typically lived in a small town under conditions of near-panoptical surveillance.

Probably he grew up sleeping in the same bed with his siblings and possibly with his parents, too. Unless he was well off, his transportation—a train, a horse, his own two feet—either was communal or exposed him to the public eye. In the suburbs and exurbs where the typical American lives today, tiny nuclear families inhabit enormous houses, in which each person has his or her own bedroom and, sometimes, bathroom.

Compared even with suburbs in the sixties and seventies, when I was growing up, the contemporary condominium development or gated community offers a striking degree of anonymity. Communities increasingly tend to be virtual, the participants either faceless or firmly in control of the face they present. The collective weight of a population makes possible our faith in the public world as something larger and more enduring and more dignified than any messy individual can be in private. But, just as one sniper in a church tower can keep the streets of an entire town empty, one real gross-out scandal can undermine that faith.

If privacy depends upon an expectation of invisibility, the expectation of visibility is what defines a public space. People now readily name their diseases, rents, antidepressants. The networked world as a threat to privacy? A genuine public space is a place where every citizen is welcome to be present and where the purely private is excluded or restricted. As an unashamed elitist, an avatar of the printed word, and a genuinely solitary man, he belongs to a species so endangered as to be all but irrelevant in an age of electronic democracy. For centuries, ink in the form of printed novels has fixed discrete, subjective individuals within significant narratives.